embroidery

Embroidery tools and orts

the daily sewing tools

There are certain tools you reach for over and over again.  In my case these are the daily tools.  I tend to use the same hopp for eveything, even when that is not easy.  It is just my favorite one.  I like two pairs of scissors, so I can have one on either side of me! The pewter needle keeper is handy for laying a needle down and not losing it.  And, hey, safety first. We don't want the cat to eat a needle!  The silver and lavendar pin cushion, that used to belong to Grandmom and then Mom, is now loaded with nothing but embroidery needles. The silk ribbon needle book, made by Mom, houses a tapestry needles, larger needles for crewel, etc. And I use water soluble markers for transfering and when that is not enough, or not quite right, I get the pencil and add whatever detail I need. 

Orts jar

The other thing on the table is the orts jar. Orts is a word of Germanic origin meaning scraps or leavings.  Originally referring to leftover food,  people who sew use it to refer to leftover bits of thread.  Apparently, such collections of threads were thought to confuse and ward off evil spirits.  I started this one last year when we were not throwing anything away. But, I have discoverd that many folks keep an orts jar. 

Healing Sutras by Erin Endicott

Healing Sutra 5 by Erin Endicott

New Jersey artist Erin Endicott uses hand embroidery stitching on vintage textiles that she stains with walnut ink. The walnut ink goes into the fabric to create the organic outlines of the stitching.  The series is called the ”Healing Sutras,” as the process of adding hand embroidery to the walnut ink stains is a metaphor for healing physical and psychological wounds.

I just really like the abstract, organic shapes and the red on the white.  

Healing Sutra 10 by Erin Endicott

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Anatomy: Hysteria series by Rachel Harmeyer

Harmeyer Hysteria II
Hysteria I, 2012

Mixed media collage by Rachel Harmeyer.  I like the Hysteria series and how she uses embroidery and vintage fabrics with images of female anatomy from an 18th c. anatomy book. 

Harmeyer Hysteria II
Hysteria II, 2012

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Embroidered Cells by Laura Katherine McMillan


Cell Series #1

I love these!  Science and embroidery go well together in these lovely cells by Laura Katherine McMillan, Canadian textile artist.

LK McMillan osteon close up

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"Happy Trails" & "Go, Unicorn, Go!"

Two Christmas present custom pieces that you can now see! 

Scrappies for Valentine's Day

Getting ready for Valentine's Day with some love themed scrappies.  They will be for sale at The Octopus and The Fox starting February 1!

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Welcome embroidery

I found this piece in my sewing stuff with the original instructions and floss all neatly packaged wth the linen. Mom claims it was not hers, so it must have belonged to her mother. Grandmom B. was an embroidery dynamo who sewed beautiful table cloths, pillow cases, bed covers, table runners, bureau scarves, doilies and so on.  She taught Mom to embroider and Mom taught me. My embroidery keeps her stitching legacy alive and reminds me of my Mom and Grandmom with each stitch.

I stitched it up.  And it is going to go to my sister's house where it can welcome all who enter and honor a granmother's memory.

 

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Jantze Tullett

Bird Tower by J. Tullett
Bird Tower 

Work by Jantze Tullet, an artist living in Lincoln, England.

Big Rabbit by J. Tullett
Big Rabbit

Blue Face by J. Tullett
Blue Face

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Tatreez- Palestinian Embroidery

Cushions Palestinian embroidery R, Nazzal
(photo credit: Rana Nazzal)

I have never been a huge fan of cross stitch.  I do not stitch it that well and never gave it much thought.  I have been more intrigued by complex stitches and getting as good at satin stitch as Grandmom B.  However,  I love the colorful geometric designs of Palestinain embroidery, properly called tatreez.  And, tatreez uses only cross stitch. Hmm.

close up Palestinian embroidery
(photo credit: Rana Nazzal)

Using only one stitch, the patterns and colors create a huge variety of designs.  The Palestinian dress, or thob, is richly embroidered.  Each village or town had its own embroidery designs.  The thob through shape, fabric color and the color combinations and designs of the embroidery show where a women is from, as well as her social status.  Patterns are often gepmetric shapes but include other designs like cypress trees, grapes, apple trees, cauliflower, rooster, pigeons, rainbow, roses, birds, flower pots.

While historically tied to specific localities, tatreez continues to evolve as Palestinian women continue their needlework and teach younger women the craft.  The continuation of tatreez is a way to sustain heritage, community and cultural identity.  
(wonderful slideshow- Philadelphia Folklore Project)

Community by Sarah Green
photo by Sarah Green

“After we were dispersed, all tatreez became Palestinian tatreez. You want to preserve Palestinian tatreez, not individual villages. They’re all under occupation, and it’s now gone.” –Alia Shiekh-Yousef

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Very Large Embroidered Shoe

baby in giant shoe

Why a giant shoe?  Good question.  It is very simple really.

"Embroidered shoes is a perfect combination of the Shoe Culture and Embroidery Art."

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